Reproduction du tableau Portrait d'Adriaen Paets, directeur de la Chambre de commerce de Rotterdam de la Compagnie néerlandaise des Indes orientales, élu en 1734 Dionys van Nijmegen Ostende almost meditative presence that invites almost meditative presence that invites emotional closeness without ostentation an artistic movement that made religious painting shine between the late Renaissance and the height of the Baroque Style and uniqueness of the work Dionys van Nijmegen's style is characterized by meticulous attention to detail and mastery of painting techniques that pay homage to the Flemish tradition ornate and carefully rendered